WHENUA FONUA ‘ENUA
Benjamin Work with photographs by Brendan Kitto
Interview with Benjamin Work by Giles Peterson
Published by Rim Books in association with Uxbridge Art & Culture.
Early Polynesian navigators gave names to the places they encountered as a reminder of the spiritual threshold between creation and reality. This was because they regarded the ideas of geographic and spiritual origin as mutually similar. Whenua Fonua ‘Enua explores the significance of name and place and the importance of these indicators that connect us to our past and highlight the characteristics of our present. Through new paintings and this companion publication in … Continue reading
BARRY BRICKELL READER: SELECTED ‘WRERTINGS’, MEDITATIONS, OUTBURSTS, DECREES AND DIVERSIONS
Edited by Gregory O’Brien
Photographs by Haruhiko Sameshima
Afterword by David Craig
Published by Steele Roberts Aotearoa in association with Rim Books.
Rim Books is absolutely ecstatic to be associated with publishing this book of ‘wrertings’ by the maverick New Zealand artist Barry Brickell.
Known for his decades of pottery making and mountain railway in Coromandel, he has dedicated his life to ceaseless art-making of all kinds. Less known but perhaps more revealing of his inner workings, are his passions for writing and reading, … Continue reading
The photographs in STOMP, taken in Europe, India and Egypt since 2014, respond to the destruction of cultural identity and historical sites tracing back millennia, and today manifested by events from Bamiyan to Palmyra. STOMP explores themes of photographic portraiture and ‘the gaze’ in the context of destruction, questioning how we connect and identify with the other.
Since his first installation ‘Headlines’ in 1994 which featured images of a screaming Princess Diana and Prince Charles appropriated from the tabloid media, Jon Carapiet’s work has dealt with humanitarian and global themes as well as issues around … Continue reading
BRAINWASH-INGTON DC: A 1982 PHOTOGRAPHIC ‘ON THE ROAD’
It features photographs Page took on a 6 month journey around USA that he made soon after his graduation from Ilam School of Fine Arts, where Shustak taught. It was an ambitious undertaking, funded by the NZ government arts council, and a rare opportunity for him to take his learning from the school into practice on the streets of where the art came from. Page says, in his introduction to the original exhibition of the resulting photographs in 1984:
“The most exciting and relative communication seemed … Continue reading