Elizabeth Lissaman: New Zealand’s Pioneer Studio Potter
Jane Vial and Steve Austin
With a foreword by Justine Olsen – Curator of Decorative Arts at Te Papa, and an afterword by Rick Rudd – potter and Director of the Quartz Museum.
Elizabeth Lissaman: New Zealand’s Pioneer Studio Potter traces the life and works of New Zealand’s pioneering woman studio potter. It is fully illustrated with over 100 images, especially photographed, of Lissaman’s pottery selected from private and public collections. Illustrations also include images of her designs and historical family photographs. The biography is meticulously researched and written by Jane … Continue reading
SEEDS OF LIFE: The Bone Art of Bruce Mahalski
Craig Hilton and Bruce Mahalski
With foreword by Billie Lythberg. Ph.D
‘Seeds of Life – the Bone Art of Bruce Mahalski’ is a new book by scientist and artist, Craig Hilton. It realises the symbiotic potential of art–science collaborations with an unrelenting intensity. Both Mahalski and Hilton are interested in the ethical and philosophical implications of using biological material (living and non-living) in art to critique what they see as outdated and ‘species-dangerous’ social norms. The ethics of collecting biological material and making art with it are also … Continue reading
DESIGN GENERATION: How Peter Haythornthwaite shaped New Zealand’s design-led enterprise
With an introduction and interview by Michael Barrett
This book tells the story of one of New Zealand’s most influential industrial designers. Spanning five decades, Design Generation documents Haythornthwaite’s career through childhood influences, education in Auckland and Illinois, work experience in California and New York, and teaching and consultant practice back in New Zealand. It chronicles his many roles as a design leader: as innovator of design, employer in private practices and his notable contribution to the wider field of design. Vivid case studies of Haythornthwaite’s work illustrate the … Continue reading
Winner New Zealand Photobook of the year award 2017.
Carbon Empire works in the space between art and documentary photography.
It combines a short series of staged photographs of a ‘man in the street’ made in 1997 with images of closed petrol stations photographed between 2003 and 2017.
Carbon Empire is a juxtaposition of these two series of photographs and a single image, made by chance in 2002.
The closed petrol stations reflect the effects of petroleum law changes across New Zealand. In 1988, the petroleum sector became deregulated, with the large international wholesalers able to … Continue reading