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NEW RELEASES


BARRY BRICKELL READER: SELECTED ‘WRERTINGS’, MEDITATIONS, OUTBURSTS, DECREES AND DIVERSIONS

Edited by Gregory O’Brien
Photographs by Haruhiko Sameshima
Afterword by David Craig

Published by Steele Roberts Aotearoa in association with Rim Books.

Rim Books is absolutely ecstatic to be associated with publishing this book of ‘wrertings’ by the maverick New Zealand artist Barry Brickell.

Known for his decades of pottery making and mountain railway in Coromandel, he has dedicated his life to ceaseless art-making of all kinds. Less known but perhaps more revealing of his inner workings, are his passions for writing and reading, … Continue reading


Stomp book cover

STOMP
Jon Carapiet

The photographs in STOMP, taken in Europe, India and Egypt since 2014, respond to the destruction of cultural identity and historical sites tracing back millennia, and today manifested by events from Bamiyan to Palmyra. STOMP explores themes of photographic portraiture and ‘the gaze’ in the context of destruction, questioning how we connect and identify with the other.

Since his first installation ‘Headlines’ in 1994 which featured images of a screaming Princess Diana and Prince Charles appropriated from the tabloid media, Jon Carapiet’s work has dealt with humanitarian and global themes as well as issues around … Continue reading


RECENT RELEASES


BRAINWASH-INGTON DC: A 1982 PHOTOGRAPHIC ‘ON THE ROAD’
Stuart Page

It features photographs Page took on a 6 month journey around USA that he made soon after his graduation from Ilam School of Fine Arts, where Shustak taught. It was an ambitious undertaking, funded by the NZ government arts council, and a rare opportunity for him to take his learning from the school into practice on the streets of where the art came from. Page says, in his introduction to the original exhibition of the resulting photographs in 1984:

“The most exciting and relative communication seemed … Continue reading


AMERICAN LANDSCAPE: SHUSTAK USA 1960–1971

This publication showcases photographs made by Larence Shustak before he left USA in 1973 to establish the photography department at the School of Fine Arts in Christchurch, New Zealand.

Shustak was part of an early ferment on the East Coast of the emerging awareness of photography as an independent tool of art, self-expression and social engagement, existing outside of the mainstream picture magazines and commercial studios. American Landscape samples Shustak’s early experiments, commissions and personal projects that reflect an evolving sense of a time in transition, seen through the artist’s … Continue reading


FURTHER READING


Te Atatu Me: Photographs of an urban New Zealand village by John B Turner
Te Atatu Me: photographs of an urban New Zealand village
Fallen, John Pusateri
Fallen
French place in the bay of islands
French Place
River-Road, journeys through ecology
River Road
When night comes
When night comes
Redeye, a diary.
Redeye
Sightseeing, Hanna Scott, Ann Shelton
Sightseeing
Holland Street