BARRY BRICKELL READER: SELECTED ‘WRERTINGS’, MEDITATIONS, OUTBURSTS, DECREES AND DIVERSIONS

Edited by Gregory O’Brien
Photographs by Haruhiko Sameshima
Afterword by David Craig

Published by Steele Roberts Aotearoa in association with Rim Books.

Rim Books is absolutely ecstatic to be associated with publishing this book of ‘wrertings’ by the maverick New Zealand artist Barry Brickell.

Known for his decades of pottery making and mountain railway in Coromandel, he has dedicated his life to ceaseless art-making of all kinds. Less known but perhaps more revealing of his inner workings, are his passions for writing and reading, … Continue reading

STOMP
Jon Carapiet

The photographs in STOMP, taken in Europe, India and Egypt since 2014, respond to the destruction of cultural identity and historical sites tracing back millennia, and today manifested by events from Bamiyan to Palmyra. STOMP explores themes of photographic portraiture and ‘the gaze’ in the context of destruction, questioning how we connect and identify with the other.

Since his first installation ‘Headlines’ in 1994 which featured images of a screaming Princess Diana and Prince Charles appropriated from the tabloid media, Jon Carapiet’s work has dealt with humanitarian and global themes as well as issues around … Continue reading

BRAINWASH-INGTON DC: A 1982 PHOTOGRAPHIC ‘ON THE ROAD’
Stuart Page

It features photographs Page took on a 6 month journey around USA that he made soon after his graduation from Ilam School of Fine Arts, where Shustak taught. It was an ambitious undertaking, funded by the NZ government arts council, and a rare opportunity for him to take his learning from the school into practice on the streets of where the art came from. Page says, in his introduction to the original exhibition of the resulting photographs in 1984:

“The most exciting and relative communication seemed … Continue reading

AMERICAN LANDSCAPE: SHUSTAK USA 1960–1971

This publication showcases photographs made by Larence Shustak before he left USA in 1973 to establish the photography department at the School of Fine Arts in Christchurch, New Zealand.

Shustak was part of an early ferment on the East Coast of the emerging awareness of photography as an independent tool of art, self-expression and social engagement, existing outside of the mainstream picture magazines and commercial studios. American Landscape samples Shustak’s early experiments, commissions and personal projects that reflect an evolving sense of a time in transition, seen through the artist’s … Continue reading

Old New World

Old New World book cover

OLD NEW WORLD
Mary Macpherson

Mary Macpherson spent seven years traveling New Zealand to photograph change in New Zealand reflected in small towns, recording the old, the derelict, the ready-made symbol and moneyed development. Old New World is a quality hardback with a dust jacket and 62 images across 96 pages. It also features an interview between Mary and noted art writer/curator, Gregory O’Brien.

“I worked on the project for several years – making journeys around the country whenever I could – photographing, and then spending long periods thinking about what I was doing. The photographs feature buildings, houses, statues and murals to tell the story of a shift from the remains of the traditional New Zealand of the 1950s and 60s to places of boom and prosperity that look very different to our remembered past. Within that narrative arc, the work also shows the major social and economic trends I saw  – towns painting up the main street to attract custom and celebrate their identity, places that remained resolutely themselves and those that were heading into decline.
I became fascinated with the artworks, promotions and murals that have sprung up and which refer to national or regional history, or slices of New Zealand identity. I wanted to show how we were representing ourselves and how those representations sat in their surroundings.

marymacphoto.wordpress.com/about/old-new-world/

Lopdell House Gallery
ISBN 9780987659712
96pp, Hardcover, 62 col. ill
Published as PhotoForum Issue 81
ISSN 01110411

BETWEEN THE SILENCE AND THE FLAME
Allan McDonald

“The Silent Generation is defined by people born between 1925 and 1945, who had come to maturity as I was growing up. Raised under the dictum of being seen but not heard, and affected by war and economic depression, they have been described as focused on financial security and more politically compliant than other generations. Putting aside the problematics of generational stereotyping, by the time I reached the age of 18 the silence was not so loud and multiple voices of diversity and dissent were becoming more audible. These photographs, … Continue reading

Te Atatu Me: photographs of an urban New Zealand village
John B. Turner. Historical essay by Grant Cole.

PhotoForum Inc, Auckland and Turner PhotoBooks, Auckland/Beijing, 2015.
Produced with the support of Creative New Zealand.

Now available through Rim Books: info@rimbooks.com

Te Atatu Me: photographs of an urban New Zealand village is a personal portrait of West Auckland’s Te Atatu Peninsula by John B. Turner, the noted New Zealand photographer, teacher and editor of PhotoForum.

Recorded over a seven year period from 2005 to 2011, Turner’s documentary photographs celebrate the character and pulse of … Continue reading

F4: in the interval

F4: IN THE INTERVAL

Susan Jowsey
Marcus Williams
Jesse Williams
Mercy Williams

In 2006, after fifteen years of collaborative art practice, Susan Jowsey and Marcus Williams decided to invite their two children, Jesse and Mercy to join their art project, creating the art collective, F4. The body of work selected for this publication, forms part of that seven-year journey; the making of this work became part of their family life. As the project progressed, the family and its dynamics became the conceptual source for the work…

F4 sample page 9

Whilst the name F4 might refers to the family of four, the name is also the term used to describe the size of a lens aperture when it is relatively open, a mechanical way of seeing which allows plenty of light, but only a shallow area of focus, surrounded by a vista that is less well-defined…

For F4, this alludes to a human tendency in perceiving the isolated moment or detail very clearly, but failing to comprehend the singularity within a continuum of significance. Photographs themselves compound this, by locking a moment in time, in a way that no other phenomena can achieve, at least not with such veracity and vivacity. Photography destabilises the natural order of things, allowing us to hold the present in our hand as a print, even as the present eludes us…

F4 sample page 11

The images in this book are not chronological; instead, they are grouped into relationships, positioning the body of work as a whole and in retrospect. This approach to sequencing the images is commensurate with the influence of lives entwined.

RIM BOOKS
November 2014

96p, 260 x 195mm


Softcover


ISBN 978-0-473-30096-8

RRP NZ $25 incl.GST

Limited edition hardcover

ISBN 978-0-473-29968-2
RRP NZ $70 incl.GST

For all orders and requests info@rimbooks.com

AN URBAN QUEST FOR CHLOROPHYLL

Jenny Gillam
Dieneke Jansen

The publication An urban quest for chlorophyll aims to discuss projects that engage with the cultural mediation of nature in an urban context. Architects, designers and town planners all consider the role played by green spaces within the urban terrain, from parks to abstractions such as berms and planters. The design of public urban space always takes this into account. How do these injections of chlorophyll function? If they have no possibility of simulating the rural, why are we compelled to ‘drag the pot-plant into the … Continue reading

HOLLAND STREET

Sarah Caylor
Ann Shelton

Published on the occasion of the exhibition
Holland Street, by Sarah Caylor and Ann Shelton
Courtenay Place Park Light Boxes
Wellington, New Zealand
15 August – 2 December 2013

Taking as its starting point two nineteenth-century events – London’s cholera outbreak of 1854 and Wellington’s typhoid epidemic of 1890-2 – Holland Street recalls a world where disease was thought to travel through miasma (noxious air) and bacteria were believed to be as real as “Hydras, and Gorgons, and Chimeras Dire”. Holland Street utilises differing visual approaches to map … Continue reading