BETWEEN THE SILENCE AND THE FLAME
Allan McDonald

“The Silent Generation is defined by people born between 1925 and 1945, who had come to maturity as I was growing up. Raised under the dictum of being seen but not heard, and affected by war and economic depression, they have been described as focused on financial security and more politically compliant than other generations. Putting aside the problematics of generational stereotyping, by the time I reached the age of 18 the silence was not so loud and multiple voices of diversity and dissent were becoming more audible. These … Continue reading

F4: in the interval

F4: IN THE INTERVAL

Susan Jowsey
Marcus Williams
Jesse Williams
Mercy Williams

In 2006, after fifteen years of collaborative art practice, Susan Jowsey and Marcus Williams decided to invite their two children, Jesse and Mercy to join their art project, creating the art collective, F4. The body of work selected for this publication, forms part of that seven-year journey; the making of this work became part of their family life. As the project progressed, the family and its dynamics became the conceptual source for the work…

Whilst the name F4 might refers to the family of four, the name is also the term used to describe the size of a lens aperture when it is relatively open, a mechanical way of seeing which allows plenty of light, but only a shallow area of focus, surrounded by a vista that is less well-defined…

F4 sample page 9For F4, this alludes to a human tendency in perceiving the isolated moment or detail very clearly, but failing to comprehend the singularity within a continuum of significance. Photographs themselves compound this, by locking a moment in time, in a way that no other phenomena can achieve, at least not with such veracity and vivacity. Photography destabilises the natural order of things, allowing us to hold the present in our hand as a print, even as the present eludes us…

The images in this book are not chronological; instead, they are grouped into relationships, positioning the body of work as a whole and in retrospect. This approach to sequencing the images is commensurate with the influence of lives entwined.

F4 sample page 11

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PHOTOFORUM AT 40
Counterculture, Clusters, and Debate in New Zealand

Nina Seja

In this richly illustrated publication, art historian Nina Seja gives an illuminating account of the communities, relationships, and events that have shaped PhotoForum’s first forty years, and charts the development of photographic art in New Zealand during this time.

PhotoForum Inc. is a not-for-profit Society dedicated to the promotion of photography as a means of communication and expression. Acting as an intellectual and creative meeting place for New Zealand’s photographic community since its inception in 1973, PhotoForum has published, exhibited, and promoted an impressive list of New … Continue reading

AN URBAN QUEST FOR CHLOROPHYLL

Jenny Gillam
Dieneke Jansen

The publication An urban quest for chlorophyll aims to discuss projects that engage with the cultural mediation of nature in an urban context. Architects, designers and town planners all consider the role played by green spaces within the urban terrain, from parks to abstractions such as berms and planters. The design of public urban space always takes this into account. How do these injections of chlorophyll function? If they have no possibility of simulating the rural, why are we compelled to ‘drag the pot-plant into the office’ or … Continue reading

HOLLAND STREET

Sarah Caylor
Ann Shelton

Published on the occasion of the exhibition
Holland Street, by Sarah Caylor and Ann Shelton
Courtenay Place Park Light Boxes
Wellington, New Zealand
15 August – 2 December 2013

Taking as its starting point two nineteenth-century events – London’s cholera outbreak of 1854 and Wellington’s typhoid epidemic of 1890-2 – Holland Street recalls a world where disease was thought to travel through miasma (noxious air) and bacteria were believed to be as real as “Hydras, and Gorgons, and Chimeras Dire”. Holland Street utilises differing visual approaches to map critical sites related to these two … Continue reading

THINKING IT THROUGH
Tony Watkins
Haruhiko Sameshima

Thinking it through was originally published in Home and Building from 1988 to 1996 when Kirsty Robertson, then editor for “Home and Building” invited Tony Watkins, who had for many years been a contributor to the magazine, to begin a new column called simply, “Thinking it through”. She also invited Haruhiko Sameshima to contribute a photograph for each column. Haru had never met Tony. For each issue Tony sent an article to Haru and Haru replied with a photograph. Tony in turn responded to each photograph with another article in the … Continue reading

COLONIAL GOOSE
Pauline Bern

The idea of making do with what’s available is a fitting analogy for Pauline Bern’s jewellery practice. Bern has always utilised locally sourced materials that are connected to her in some way and worked to transform them into something new. In this instance, a selection of plants from her Devonport garden provided the primary material for the pieces in Colonial Goose.

Colonial Goose harks back to the early pioneering tradition in New Zealand of making do with what’s on hand. Owing to a scarcity of geese, the traditional English Christmas fare of roast … Continue reading

RIVER-ROAD
Journeys Through Ecology
David Cook – photographs
Wiremu Puke – text
Jonty Valentine – design

River/Road takes an intimate look at the environmental, cultural, historical and economic factors that shape the ecology of our immediate environment. The narrative explores regional ecology from a bicultural perspective.
The authors trace a journey, following the parallel arteries of the Waikato River and River Road. The emphasis is on being ‘readers’ of the landscape. The authors bring a number of distinct voices to the project

Jonty Valentine the graphic designer, provokes and navigates the reader through a multi-layered account of … Continue reading

THE FRENCH PLACE IN THE BAY OF ISLANDS
Essays from Pompallier’s Printery

Edited by Kate Martin and Brad Mercer

The building, known today as Pompallier, is New Zealand’s sole surviving pioneer mission printery of
 any denomination. In 1841 printing presses and plant arrived from France at the Roman Catholic headquarters in Kororareka Russell. This impressive and elegant, two-storied French colonial building was completed in 1842 to house a print workshop and has been a landmark feature of the Bay of Islands ever since.

The seemingly disparate subjects presented in this book 
by authors from such a range … Continue reading