{"id":2819,"date":"2021-10-15T11:36:58","date_gmt":"2021-10-14T23:36:58","guid":{"rendered":"https:\/\/www.rimbooks.com\/wordpress\/?page_id=2819"},"modified":"2025-05-26T12:44:33","modified_gmt":"2025-05-26T00:44:33","slug":"catalogue-2","status":"publish","type":"page","link":"https:\/\/www.rimbooks.com\/wordpress\/catalogue-2","title":{"rendered":"Catalogue"},"content":{"rendered":"

CURRENT PUBLICATIONS<\/strong><\/p>\n

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\n\n <\/div>\n <\/div>\n <\/div>\n
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\n one foot on the bottom <\/div>\n
\n Mary Macpherson <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n A.P.G.A. <\/div>\n
\n Henry Turner <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Subject Failure <\/div>\n
\n Shaun Waugh <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n\n <\/div>\n <\/div>\n <\/div>\n
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\n Place to Place <\/div>\n
\n Matt Arbuckle <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n\n <\/div>\n <\/div>\n <\/div>\n
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\n an invisible hand <\/div>\n
\n Stephen Roucher <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n\n <\/div>\n <\/div>\n <\/div>\n
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\n in some smothering dreams <\/div>\n
\n Camus Wyatt with an essay by Deidra Sullivan <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n\n <\/div>\n <\/div>\n <\/div>\n
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\n Thread Between Darkness & Light <\/div>\n
\n Stella Brennan <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Viewshaft <\/div>\n
\n by Allan MacDonald and essay by Dr. Rangihiroa Panoho <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n There Is Nowhere to Go, There Is Nothing to Do <\/div>\n
\n Photographs of Greta Anderson <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n A garden is a long time <\/div>\n
\n Annemarie Hope-Cross and Jenny Bornholdt <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n\n <\/div>\n <\/div>\n <\/div>\n
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\n LA Botanical <\/div>\n
\n by Joyce Campbell <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Motutapu <\/div>\n
\n Benjamin Work & Brendan Kitto <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Closing Time: photographs from the Hotel Kiwi 1967 \u2013 1975 <\/div>\n
\n by Gary Baigent, John Fields and Max Otteli <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Jellicoe & Bledisloe <\/div>\n
\n by David Cook <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Road People of Aotearoa: Images of house-truck journeys 1978-1984 <\/div>\n
\n by Paul C Gilbert <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n\n <\/div>\n <\/div>\n <\/div>\n
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\n The Greatest Show: Warren Tippett\u2019s pots from a life less ordinary <\/div>\n
\n Moyra Elliott and an essay by Peter Wells <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n\n <\/div>\n <\/div>\n <\/div>\n
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\n \u2018Amui \u2018i Mu\u2018a: Ancient Futures <\/div>\n
\n Dagmar Vaikalafi Dyck Sopolemalama Filipe Tohi <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n\n <\/div>\n <\/div>\n <\/div>\n
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\n Hinemihi: Te Hokinga \u2013 The Return <\/div>\n
\n Hamish Coney and Dr Keri-Anne Wikitera <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n\n <\/div>\n <\/div>\n <\/div>\n
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\n The Holding <\/div>\n
\n Allan McDonald <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n . . . . . and then there were none <\/div>\n
\n Harvey Benge Jon Carapiet Lloyd Jones Haru Sameshima Stu Sontier <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n\n <\/div>\n <\/div>\n <\/div>\n
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\n The Weight of the Captain\u2019s Wrist <\/div>\n
\n Peter Ireland <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Elizabeth Lissaman: New Zealand\u2019s Pioneer Studio Potter <\/div>\n
\n Jane Vial and Steve Austin <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n\n <\/div>\n <\/div>\n <\/div>\n
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\n SEEDS OF LIFE: The Bone Art of Bruce Mahalski <\/div>\n
\n Craig Hilton and Bruce Mahalski With foreword by Billie Lythberg. Ph.D <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n DESIGN GENERATION <\/div>\n
\n Michael Smythe, with an introduction and interview by Michael Barrett <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n CARBON EMPIRE <\/div>\n
\n Allan McDonald <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n DYNAMO HUM <\/div>\n
\n Denys Watkins <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n BARRY BRICKELL READER <\/div>\n
\n Barry Brickell Edited by Gregory O\u2019Brien <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n STOMP <\/div>\n
\n Jon Carapiet <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n BETWEEN THE SILENCE AND THE FLAME <\/div>\n
\n Allan McDonald <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n A SPOONFUL OF SUGAR <\/div>\n
\n Ann Shelton with a text by Pip Adam <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n F4: IN THE INTERVAL <\/div>\n
\n Susan Jowsey Marcus Williams Jesse Williams Mercy Williams <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n PHOTOFORUM AT 40 <\/div>\n
\n Nina Seja <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n AN URBAN QUEST FOR CHLOROPHYLL <\/div>\n
\n Edited by Jenny Gillam and Dieneke Jansen <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n HOLLAND STREET <\/div>\n
\n Sarah Caylor and Ann Shelton <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n THINKING IT THROUGH <\/div>\n
\n Tony Watkins and Haruhiko Sameshima <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n COLONIAL GOOSE <\/div>\n
\n Pauline Bern <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Sightseeing <\/div>\n
\n Hanna Scott and Ann Shelton (ed) <\/div>\n \n \n \n More <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n\n <\/div>\n <\/div>\n <\/div>\n
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\n RIVER-ROAD: Journeys Through Ecology <\/div>\n
\n David Cook, Wiremu Puke and Jonty Valentine <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n THE FRENCH PLACE IN THE BAY OF ISLANDS <\/div>\n
\n Essays from Pompallier\u2019s Printery, edited by Kate Martin and Brad Mercer <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n\n <\/div>\n <\/div>\n <\/div>\n
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\n A MAN WALKS OUT OF A BAR\u2026 <\/div>\n
\n Lucien Rizos: New Zealand Photographs 1979 \u20131982 <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n A FIELD GUIDE TO CAMERA SPECIES <\/div>\n
\n Darren Glass <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n BOLD CENTURIES: PHOTOGRAPHIC HISTORY ALBUM <\/div>\n
\n Haruhiko Sameshima <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n EMPIRE <\/div>\n
\n Gavin Hipkins <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n THE SANCTUARY <\/div>\n
\n Gavin Hipkins <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n METAPHYSICAL HEART: JEWELLERY BY PETER MCKAY <\/div>\n
\n Damian Skinner <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n 1839 EXCHANGES: JEWELLERY BY JASON HALL <\/div>\n
\n Damian Skinner <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n WHEN NIGHT COMES <\/div>\n
\n Susan Jowsey and Marcus Williams <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n FILTER <\/div>\n
\n Eugene Hansen and Marcus Williams <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n FALLEN <\/div>\n
\n JOHN PUSATERI <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n REDEYE: A DIARY. <\/div>\n
\n Ann Shelton <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n \n\n <\/div>\n <\/div>\n
\n

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\n ET IN ARCADIA EGO <\/div>\n
\n Haruhiko Sameshima <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Golden Enterprise: New Zealand Chinese Merchants 1860s-1970s <\/div>\n
\n by Dr Phoebe H. Li <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Uprooted: a handbook of levitating flowers & other fashionable nonsense <\/div>\n
\n Fiona Lascelles <\/div>\n \n \n \n More <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Legacy \u2013 Portraits of the Greats <\/div>\n
\n by Jon Carapiet <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Stopped Short: Writings on Len Lye 1977-2017 <\/div>\n
\n by Wystan Curnow <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n worm, root, wort... & bane <\/div>\n
\n by Ann Shelton <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Always Song in the Water <\/div>\n
\n by Gregory O'Brien <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Dad, Pete, Opa. <\/div>\n
\n Tim Veling - XYZ Books (Lisbon) <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Clinic of Phantasms: Writings 1994-2002 <\/div>\n
\n by Giovanni Intra Edited by Robert Leonard Published by Bouncy Castle and Semiotext(e) <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Return to Monte Cassino <\/div>\n
\n Return to Monte Cassino: The 2nd NZEF War Veterans Remember Italy by Maree Frewen-Wilks <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n K\u014cWHAI AND THE GIANTS <\/div>\n
\n Kate Parker Mary Eagan Publishing <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Shining Land: Looking for Robin Hyde <\/div>\n
\n Paula Morris and Haru Sameshima, published by Massey University Press <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Eric Lee-Johnson: Artist with a Camera <\/div>\n
\n John B Turner, published by PhotoForum <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n A Sun Dance in Sandringham: 43 Photographs <\/div>\n
\n Solomon Mortimer <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Many things were not in the fantasy <\/div>\n
\n Solomon Mortimer and Zahra Killeen-Chance <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n New Zealand By The Way <\/div>\n
\n Arno Gasteiger, Jenner Zimmermann, Haruhiko Sameshima, Glenn Jowitt, Gil Hanly, Greg Semu <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Geophagy <\/div>\n
\n Ruth Watson <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Quiet Chaos <\/div>\n
\n Tony Nyberg <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Dull Ache <\/div>\n
\n Photography by Fiona Lascelles and poetry by Jasmine Gallagher <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n ENTOURAGE <\/div>\n
\n aka Physical Distance Theory, or How I Learned to Stop Worrying and Love Videogames, by Tim J. Veling <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n TOM HUTCHINS: SEEN IN CHINA 1956 <\/div>\n
\n John B. Turner <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n OLD NEW WORLD <\/div>\n
\n Mary Macpherson <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Te Atatu Me: photographs of an urban New Zealand village <\/div>\n
\n John B. Turner and Grant Cole. <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Pictures They Want to Make : Recent Auckland Photography <\/div>\n
\n Chris Corson-Scott and Edward Hanfling <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n \n\n <\/div>\n <\/div>\n
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\n THE PASSING WORLD THE PASSAGE OF LIFE: John Hovell and the Art of Kowhaiwhai <\/div>\n
\n Second hand copy - good condition, with some marks on jacket. <\/div>\n \n \n \n Buy Now <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n River Road: Journeys Through Ecology <\/div>\n
\n Last few copies of David Cook's classic book from 2011. New - with some shelf markings. <\/div>\n \n \n \n Buy Now <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Hinemihi: Te Hokinga \u2013 The Return (Hard Cover) <\/div>\n
\n Limited hard-cover edition. <\/div>\n \n \n \n Buy Now <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n \n\n <\/div>\n <\/div>\n
\n

OUT OF PRINT<\/strong><\/p>\n

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\n Edited by Haruhiko Sameshima <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n Garden of Memories <\/div>\n
\n Extending quilt making traditions from around the Pacific Rim, by Giles Peterson <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n WHENUA FONUA \u2018ENUA <\/div>\n
\n Benjamin Work with photographs by Brendan Kitto <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n AMERICAN LANDSCAPE: SHUSTAK USA 1960\u20131971 <\/div>\n
\n Larence Shustak <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n THE PASSING WORLD - THE PASSAGE OF LIFE <\/div>\n
\n John Hovell and the Art of Kowhaiwhai by Damian Skinner\u2028 <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n PUBLIC PLACES <\/div>\n
\n Ann Shelton <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n THE GREATEST SHOW: WARREN TIPPETT\u2019S POTS FROM A LIFE LESS ORDINARY <\/div>\n
\n First edition Moyra Elliott <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n
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\n BRAINWASH-INGTON DC: A 1982 PHOTOGRAPHIC \u2018ON THE ROAD\u2019 <\/div>\n
\n Stuart Page <\/div>\n \n \n \n more <\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n \n <\/div>\n \n\n <\/div>\n <\/div>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

CURRENT PUBLICATIONS<\/strong><\/p>\n<\/p>\n

FRIENDS OF RIM BOOKS
<\/strong><\/p>\n<\/p>\n

COLLECTOR’S CORNER
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OUT OF PRINT<\/strong><\/p><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2819","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/pages\/2819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/comments?post=2819"}],"version-history":[{"count":0,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/pages\/2819\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/media?parent=2819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}