{"id":350,"date":"2012-02-21T19:09:15","date_gmt":"2012-02-21T06:09:15","guid":{"rendered":"http:\/\/www.rimbooks.com\/wordpress\/?p=350"},"modified":"2026-04-05T09:09:34","modified_gmt":"2026-04-04T21:09:34","slug":"colonial-goose","status":"publish","type":"post","link":"https:\/\/www.rimbooks.com\/wordpress\/colonial-goose","title":{"rendered":"Colonial Goose"},"content":{"rendered":"\n<p><strong>COLONIAL GOOSE<\/strong><br>Pauline Bern<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright\"><a href=\"http:\/\/www.rimbooks.com\/wordpress\/wp-content\/uploads\/2012\/03\/Colonial_Goose.jpg\"><img decoding=\"async\" src=\"http:\/\/www.rimbooks.com\/wordpress\/wp-content\/uploads\/2012\/03\/Colonial_Goose-257x300.jpg\" alt=\"Colonial Goose book cover\" title=\"Colonial Goose\"\/><\/a><\/figure>\n<\/div>\n\n\n<p> The idea of making do with what&#8217;s available is a fitting analogy for Pauline Bern&#8217;s jewellery practice. Bern has always utilised locally sourced materials that are connected to her in some way and worked to transform them into something new. In this instance, a selection of plants from her Devonport garden provided the primary material for the pieces in <em>Colonial Goose<\/em>.<\/p>\n\n\n\n<p><em>Colonial Goose<\/em> harks back to the early pioneering tradition in New Zealand of making do with what&#8217;s on hand. Owing to a scarcity of geese, the traditional English Christmas fare of roast goose was substituted here for a stuffed leg of lamb or mutton, prepared in such a way that the completed dish resembled a goose.<\/p>\n\n\n\n<p>The jewellery in <em>Colonial Goose<\/em> results from the Frankensteinian process of grafting together particular pieces from different plants to create new species that could never, in actuality, exist. Bern says that she was inspired by a copy of John Gerard&#8217;s Herball, or Generall Historie of Plantes (1597), in which she read an account about the botanical myth of the \u2018goose barnacle tree&#8217; on the Isle of Man; a tree popularly believed to have barnacles that opened and gave birth to geese. In Gerard&#8217;s fantastical description of the goose barnacle tree, Bern recognised the creative potential of intermingling fact and fiction in a botanical context, leading her to create her own version of New Zealand botanical jewellery, but with a twist.<\/p>\n\n\n\n<p>Each of the pieces in <em>Colonial Goose<\/em> is a compendium of deceptions, and both the title of the exhibition and the titles of the individual pieces clue us in to Bern&#8217;s deceptive agenda. She deliberately subverts the taxonomy of Linnaen \u2018binomial nomenclature&#8217; in her titling of works, instead bringing together impossible botanical names for her new jewelled species such as Rhopalostylis Mysotidium &#8211; we know that the Nikau Palm and Chatham Island Forget-me-not could never mate, but in Bern&#8217;s hands the impossible is made possible.<\/p>\n\n\n\n<p>&#8216;I want the works to elicit curiosity, intrigue, surprise, humour and perhaps nostalgia,&#8217; Bern states. &#8216;I am not attempting to emulate botanical forms, rather to appropriate the extraordinary, unexpected, and often un-noticed details in nature, into a contemporary jewellery context.&#8217; The pair of &#8216;living&#8217; lawn chairs on which the pieces are arranged are another mutable element in an exhibition of mutable things.<\/p>\n\n\n\n<p>Look closely, if you dare.<\/p>\n\n\n\n<p><em>Bronwyn Lloyd<\/em><\/p>\n\n\n<div class=\"n2-section-smartslider fitvidsignore  n2_clear\" data-ssid=\"10\"><div id=\"n2-ss-10-align\" class=\"n2-ss-align\"><div class=\"n2-padding\"><div id=\"n2-ss-10\" data-creator=\"Smart Slider 3\" data-responsive=\"fullwidth\" class=\"n2-ss-slider n2-ow n2-has-hover n2notransition  \"><div class=\"n2-ss-slider-controls-side\"><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-left\"><div style=\"--widget-offset:10px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-previous  nextend-arrow-animated-fade\" id=\"n2-ss-10-arrow-previous\" role=\"button\" aria-label=\"previous arrow\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy\" data-skip-lazy=\"1\" 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Sameshima,&nbsp; design areadesign.co.nz<\/p>\n\n\n\n<p>RRP NZ $30 inc.GST<\/p>\n\n\n<p class=\"product woocommerce add_to_cart_inline \" style=\"NONE\"><a href=\"\/wordpress\/wp-json\/wp\/v2\/posts\/350?add-to-cart=2159\" aria-describedby=\"woocommerce_loop_add_to_cart_link_describedby_2159\" data-quantity=\"1\" class=\"button product_type_simple add_to_cart_button ajax_add_to_cart\" data-product_id=\"2159\" data-product_sku=\"978-0-473-20430-3\" aria-label=\"Add to cart: &ldquo;Colonial Goose&rdquo;\" rel=\"nofollow\" data-success_message=\"&ldquo;Colonial Goose&rdquo; has been added to your cart\" role=\"button\">Add to cart<\/a>\t<span id=\"woocommerce_loop_add_to_cart_link_describedby_2159\" class=\"screen-reader-text\">\n\t\t\t<\/span>\n<\/p>\n\n\n\n<div class=\"\">&nbsp;<\/div>\n\n\n\n<p>For availability and wholesale orders <a href=\"mailto:info@rimbooks.com\">info@rimbooks.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>COLONIAL GOOSE<\/strong><br \/>Pauline Bern<\/p>\n<p> <a href=\"http:\/\/www.rimbooks.com\/wordpress\/wp-content\/uploads\/2012\/03\/Colonial_Goose.jpg\"><\/a> <\/p>\n<p> The idea of making do with what&#8217;s available is a fitting analogy for Pauline Bern&#8217;s jewellery practice. Bern has always utilised locally sourced materials that are connected to her in some way and worked to transform them into something new. In this instance, a selection of plants from her Devonport garden provided the primary material for the pieces in <em>Colonial Goose<\/em>.<\/p>\n<p><em>Colonial Goose<\/em> harks back to the early pioneering tradition in New Zealand of making do with what&#8217;s on hand. Owing to a scarcity of geese, the traditional English Christmas fare of roast goose &hellip; <a href=\"https:\/\/www.rimbooks.com\/wordpress\/colonial-goose\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":449,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[14,12,10],"tags":[15],"class_list":["post-350","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-design","category-exhibition-catalogue","category-jewellery","tag-publication-2","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/posts\/350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/comments?post=350"}],"version-history":[{"count":4,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/posts\/350\/revisions"}],"predecessor-version":[{"id":4404,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/posts\/350\/revisions\/4404"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/media\/449"}],"wp:attachment":[{"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/media?parent=350"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/categories?post=350"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/tags?post=350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}