{"id":4050,"date":"2025-05-26T11:11:08","date_gmt":"2025-05-25T23:11:08","guid":{"rendered":"https:\/\/www.rimbooks.com\/wordpress\/?p=4050"},"modified":"2026-04-05T11:30:28","modified_gmt":"2026-04-04T23:30:28","slug":"place-to-place","status":"publish","type":"post","link":"https:\/\/www.rimbooks.com\/wordpress\/place-to-place","title":{"rendered":"Place to Place"},"content":{"rendered":"\n<p><strong>Place to Place<\/strong><br>Matt Arbuckle<br>with essays by Lucinda Bennett and Emily Cormack<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><a href=\"https:\/\/www.rimbooks.com\/wordpress\/wp-content\/uploads\/2025\/05\/9781991165282.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"513\" height=\"639\" src=\"https:\/\/www.rimbooks.com\/wordpress\/wp-content\/uploads\/2025\/05\/9781991165282.jpg\" alt=\"\" class=\"wp-image-4051\" style=\"width:342px;height:auto\" srcset=\"https:\/\/www.rimbooks.com\/wordpress\/wp-content\/uploads\/2025\/05\/9781991165282.jpg 513w, https:\/\/www.rimbooks.com\/wordpress\/wp-content\/uploads\/2025\/05\/9781991165282-241x300.jpg 241w, https:\/\/www.rimbooks.com\/wordpress\/wp-content\/uploads\/2025\/05\/9781991165282-150x187.jpg 150w, https:\/\/www.rimbooks.com\/wordpress\/wp-content\/uploads\/2025\/05\/9781991165282-300x374.jpg 300w\" sizes=\"auto, (max-width: 513px) 100vw, 513px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p>This monograph surveys Matt Arbuckle\u2019s recent works made between 2019 and 2024, with particular attention to two exhibitions: Bow Echo (Two Rooms, Auckland, 2023) and Subduction and Abduction (Daine Singer, Naarm\/Melbourne, 2024).<br><br>A prolific maker, Arbuckle\u2019s practice is a process-driven exploration of place, with landscapes conceptualised through the very act of their making. Favouring process over outcome, Arbuckle employs elements of traditional Japanese shibori dyeing techniques \u2014 wrapping, twisting, folding, and draping fabric over found surfaces and structures \u2014 to create abstract compositions. The resulting paintings use depth and movement to trace and reveal abstract memories, imprinting the experience of place into the artwork.<br><br>Lucinda Bennett describes Arbuckle\u2019s process as akin to unearthing hidden layers beneath a driveway, shaped by time, chance, and material transformation:<br><br>\u201cArbuckle\u2019s paintings begin on a driveway like mine, are born in the dank,<br>resilient synthetic fabric soaked in a vat of staining liquid and left folded on<br>the ground, exposed to the elements, until again they are soaked and folded,<br>weathered by rain and groundwater, left unlovely to collect grit and sediment in<br>their knitted polyester grain, the cycle repeating until one lucky day when they<br>are retrieved, transported inside and laid out to dry, stretched between wooden<br>bars and lifted off the floor, hung on the wall, finally in the light.<br><br>In the light, they are transformed. What once appeared discarded and grimy<br>has been rehabilitated, not so much scrubbed up as distilled. In the light, dark<br>seams hold weight, hold earth, might-be landmasses, horizons, islands, opaque<br>bands of isthmus floating between watery sea and sky.\u201d<br><br>The book intersperses Arbuckle\u2019s painted works with a selection of the artist\u2019s<br>photographs, collected over the same period. These images create further<br>associations between place and landscape, and the abstract forms borne of the<br>painting process.<br><br>Another essayist in the book, Melbourne-based curator and writer Emily<br>Cormack, associates the works materiality with earth\u2019s geological process:<br><br>\u201cHis work unfolds with the story of his site, allowing for the spread of grit<br>and stain of paint, just as the earth permits the ebb and flow of sedimentary<br>activity that gives it colour and texture. Because surely the grit from the studio<br>floor and the twists in a fabric\u2019s surface tell a more resonant story than any<br>description of them? In this way Arbuckle\u2019s painting processes are an attempt<br>to bring story and site together and allow one to imprint on the other. . .<br>Painting is not a written history. In its essence it transmits a story of matter<br>and material, and of expanse and intimacy. In Matt Arbuckle\u2019s works the past<br>and the present are folded together, like the sediment of the earth, marking the<br>moment when story hits substrate. In each of his paintings are the episodic<br>memories of a child running fingers over the ragged layers of a cave\u2019s<br>sediment, the crumbling of mineral under thumb; the discovery of fool\u2019s gold,<br>and the tricks in the soil that tarnish new to old. His works evoke the hidden<br>tidelines of the earth and the vast unknowns of an imagined, aching, open<br>seascape.\u201d<\/p>\n\n\n<div class=\"n2-section-smartslider fitvidsignore  n2_clear\" data-ssid=\"14\"><div id=\"n2-ss-14-align\" class=\"n2-ss-align\"><div class=\"n2-padding\"><div id=\"n2-ss-14\" data-creator=\"Smart Slider 3\" data-responsive=\"fullwidth\" class=\"n2-ss-slider n2-ow n2-has-hover n2notransition  \"><div class=\"n2-ss-slider-controls-side\"><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-left\"><div style=\"--widget-offset:10px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-previous  nextend-arrow-animated-fade\" id=\"n2-ss-14-arrow-previous\" role=\"button\" aria-label=\"previous arrow\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy\" data-skip-lazy=\"1\" 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Henning-Tapley<br>Soft-cover with flaps |128 pages<br>265 x 213 mm | colour illustrations<br>RRP $50.00<\/p>\n\n\n<p class=\"product woocommerce add_to_cart_inline \" style=\"NONE\"><a href=\"\/wordpress\/wp-json\/wp\/v2\/posts\/4050?add-to-cart=4063\" aria-describedby=\"woocommerce_loop_add_to_cart_link_describedby_4063\" data-quantity=\"1\" class=\"button product_type_simple add_to_cart_button ajax_add_to_cart\" data-product_id=\"4063\" data-product_sku=\"978-1-99-116528-2\" aria-label=\"Add to cart: &ldquo;Place to Place&rdquo;\" rel=\"nofollow\" data-success_message=\"&ldquo;Place to Place&rdquo; has been added to your cart\" role=\"button\">Add to cart<\/a>\t<span id=\"woocommerce_loop_add_to_cart_link_describedby_4063\" class=\"screen-reader-text\">\n\t\t\t<\/span>\n<\/p>\n\n\n\n<p>For all wholesale orders and requests&nbsp;<a href=\"mailto:info@rimbooks.com\">info@rimbooks.com<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A prolific maker, Arbuckle\u2019s practice is a process-driven exploration of place, with landscapes conceptualised through the very act of their making. Favouring process over outcome, Arbuckle employs elements of traditional<br \/>\nJapanese shibori dyeing techniques \u2014 wrapping, twisting, folding, and draping fabric over found surfaces and structures \u2014 to create abstract compositions.  <a href=\"https:\/\/www.rimbooks.com\/wordpress\/place-to-place\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":4051,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[112,14,12,77,31,73,74],"tags":[15],"class_list":["post-4050","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-contemporary-art","category-design","category-exhibition-catalogue","category-installation-art","category-new-zealand-art","category-painting","category-urban-environment","tag-publication-2"],"_links":{"self":[{"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/posts\/4050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/comments?post=4050"}],"version-history":[{"count":1,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/posts\/4050\/revisions"}],"predecessor-version":[{"id":4413,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/posts\/4050\/revisions\/4413"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/media\/4051"}],"wp:attachment":[{"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/media?parent=4050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/categories?post=4050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rimbooks.com\/wordpress\/wp-json\/wp\/v2\/tags?post=4050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}