Rim Books will be taking a full catalogue of New Zealand photography, contemporary art and craft, and art history books from Rim and affiliates to #MelbourneArtBookFair. Your chance to see and purchase direct from us, rare, hard to find, small press books from across the ditch. #NGV

For information on which title are available from the fair, or requests info@rimbooks.com

 

Thursday 16 March: International Typography Symposium 10am–5pm (ticketed)

Friday 17 March: 10am–5pm

Friday Party: 7.30–10pm (ticketed) To purchase tickets, please visit ngvartbookfair.com.

Saturday 18 March: 10am–8pm

Sunday 19 March: 10am–5pm

BARRY BRICKELL READER: SELECTED ‘WRERTINGS’, MEDITATIONS, OUTBURSTS, DECREES AND DIVERSIONS

Edited by Gregory O’Brien
Photographs by Haruhiko Sameshima
Afterword by David Craig

Published by Steele Roberts Aotearoa in association with Rim Books.

Rim Books is absolutely ecstatic to be associated with publishing this book of ‘wrertings’ by the maverick New Zealand artist Barry Brickell.

Known for his decades of pottery making and mountain railway in Coromandel, he has dedicated his life to ceaseless art-making of all kinds. Less known but perhaps more revealing of his inner workings, are his passions for writing and reading, … Continue reading

TOM HUTCHINS: SEEN IN CHINA 1956
Edited by John B. Turner. Chinese translation by Han Niu.

Published by Turner PhotoBooks, Auckland/Beijing in collaboration with PhotoForum Inc, Auckland, NZ, 2016 as Photoforum issue 86.

English and Chinese text

This bi-lingual book was produced to coincide with the debut exhibition of photographs made in China 60 years ago by the pioneering New Zealand photojournalist and photographic educator, Tom Hutchins (1921-2007), presented at the 2016 Pingyao International Photography Festival.

‘On the platform there are many people waiting to cross the other way, waiting for the train back to Hong Kong. . … Continue reading

Invitation to the book launch of STOMP by Jon Carapiet

You are cordially invited to celebrate the launch of STOMP, published by Rim Books.

When: Thursday 9 March, 5pm-7pm

Where: Studio La Gonda, Room 103, 203 Karangahape Road
(Upstairs or via the lift at the back of the La Gonda Arcade).

For more information about STOMP or the book launch contact Jon on 0210507681

STOMP
Jon Carapiet

The photographs in STOMP, taken in Europe, India and Egypt since 2014, respond to the destruction of cultural identity and historical sites tracing back millennia, and today manifested by events from Bamiyan to Palmyra. STOMP explores themes of photographic portraiture and ‘the gaze’ in the context of destruction, questioning how we connect and identify with the other.

Since his first installation ‘Headlines’ in 1994 which featured images of a screaming Princess Diana and Prince Charles appropriated from the tabloid media, Jon Carapiet’s work has dealt with humanitarian and global themes as well as issues around … Continue reading

BRAINWASH-INGTON DC: A 1982 PHOTOGRAPHIC ‘ON THE ROAD’
Stuart Page

It features photographs Page took on a 6 month journey around USA that he made soon after his graduation from Ilam School of Fine Arts, where Shustak taught. It was an ambitious undertaking, funded by the NZ government arts council, and a rare opportunity for him to take his learning from the school into practice on the streets of where the art came from. Page says, in his introduction to the original exhibition of the resulting photographs in 1984:

“The most exciting and relative communication seemed … Continue reading

AMERICAN LANDSCAPE: SHUSTAK USA 1960–1971

This publication showcases photographs made by Larence Shustak before he left USA in 1973 to establish the photography department at the School of Fine Arts in Christchurch, New Zealand.

Shustak was part of an early ferment on the East Coast of the emerging awareness of photography as an independent tool of art, self-expression and social engagement, existing outside of the mainstream picture magazines and commercial studios. American Landscape samples Shustak’s early experiments, commissions and personal projects that reflect an evolving sense of a time in transition, seen through the artist’s … Continue reading

BETWEEN THE SILENCE AND THE FLAME
Allan McDonald

“The Silent Generation is defined by people born between 1925 and 1945, who had come to maturity as I was growing up. Raised under the dictum of being seen but not heard, and affected by war and economic depression, they have been described as focused on financial security and more politically compliant than other generations. Putting aside the problematics of generational stereotyping, by the time I reached the age of 18 the silence was not so loud and multiple voices of diversity and dissent were becoming more audible. These photographs, … Continue reading

A SPOONFUL OF SUGAR
Ann Shelton

Photographs, texture, historical documents and a fictional short story weave a book about a house, in the suburb of Wilton in Wellington, New Zealand.

“I moved in to this house amid stories about its commissioner, a trail-blazing woman and the one responsible for bringing the woodwind instrument, the recorder, to New Zealand. The narrative of her and her architect’s lives struck me as still critical and relevant today as we pull down the metaphorical garage door on refugee access to New Zealand and as we uncover and foreground the unnoticed roles … Continue reading

SELECTIVE EXPOSURE
Limited edition exhibition catalogue

Reflecting back on the last quarter century, so much has changed. Technologies emerged that fundamentally altered the way we do things, the methods by which we gather and disseminate information, and how we communicate. This last quarter century is notable for the technological restructuring of photography by digital processes that now dominate the industry (Photoshop 1.0 was launched 19 February 1990). Less perceptible, but perhaps more important, are shifts in values attached to things and ideas, like art, education, institutions, their ideologies.

This exhibition samples images from recent projects by photographers who … Continue reading