DYNAMO HUM

By Denys Watkins
Foreword by Matt Blomeley
Essays by Anna Miles and Francis McWhannell
Conversation with Allan Smith and Denys Watkins

Published by Rim Books in association with Bath Street Arts Trust.

Design by Index – Jonty Valentine

DYNAMO HUM is an artist book by Denys Watkins, featuring his paintings from 2004 to 2016.

Denys is a highly respected New Zealand contemporary artist. A long serving teacher of thirty-one years at Elam School of Fine Arts that, in 2011, he left to pursue full-time studio art practice.

Here he turns his multifaceted interests to creating … Continue reading

WHENUA FONUA ‘ENUA

Benjamin Work with photographs by Brendan Kitto
Interview with Benjamin Work by Giles Peterson

Published by Rim Books in association with Uxbridge Art & Culture.

Early Polynesian navigators gave names to the places they encountered as a reminder of the spiritual threshold between creation and reality. This was because they regarded the ideas of geographic and spiritual origin as mutually similar. Whenua Fonua ‘Enua explores the significance of name and place and the importance of these indicators that connect us to our past and highlight the characteristics of our present. Through new paintings and this companion publication in … Continue reading

F4: in the interval

F4: IN THE INTERVAL

Susan Jowsey
Marcus Williams
Jesse Williams
Mercy Williams

In 2006, after fifteen years of collaborative art practice, Susan Jowsey and Marcus Williams decided to invite their two children, Jesse and Mercy to join their art project, creating the art collective, F4. The body of work selected for this publication, forms part of that seven-year journey; the making of this work became part of their family life. As the project progressed, the family and its dynamics became the conceptual source for the work…

F4 sample page 9

Whilst the name F4 might refers to the family of four, the name is also the term used to describe the size of a lens aperture when it is relatively open, a mechanical way of seeing which allows plenty of light, but only a shallow area of focus, surrounded by a vista that is less well-defined…

For F4, this alludes to a human tendency in perceiving the isolated moment or detail very clearly, but failing to comprehend the singularity within a continuum of significance. Photographs themselves compound this, by locking a moment in time, in a way that no other phenomena can achieve, at least not with such veracity and vivacity. Photography destabilises the natural order of things, allowing us to hold the present in our hand as a print, even as the present eludes us…

F4 sample page 11

The images in this book are not chronological; instead, they are grouped into relationships, positioning the body of work as a whole and in retrospect. This approach to sequencing the images is commensurate with the influence of lives entwined.

RIM BOOKS
November 2014

96p, 260 x 195mm


Softcover


ISBN 978-0-473-30096-8

RRP NZ $25 incl.GST

Limited edition hardcover

ISBN 978-0-473-29968-2
RRP NZ $70 incl.GST

For all orders and requests info@rimbooks.com