Category Archives: Photography

Field guide to camera species, Darren Glass

A FIELD GUIDE TO CAMERA SPECIES
Darren Glass

The definitive 114 page chronological guide to the 90 pinhole and slit cameras built by Darren Glass since 1990

Includes a glossary and technical section on how to make your own pinhole camera.

“Darren Glass has a growing reputation as one of New Zealand’s most imaginative photographers. His first book, A Field Guide to Camera Species, is hot off the press and proves that he is also our most innovative camera maker. Never content with just the one-point perspective of the typical pinhole camera, despite the seemingly infinite depth … Continue reading →

Bold Centuries, Haruhiko Sameshima

BOLD CENTURIES
PHOTOGRAPHIC HISTORY ALBUM
Haruhiko Sameshima

With essays by: Kyra Macfarlane, Ingrid Horrocks, John Wilson, Tim Corbalis, Aaron Lister, Damian Skinner, Fiona Amundsen and Claudia Bell

Bold Centuries is an artist’s book by Haruhiko Sameshima – artist/photographer based in Auckland. This collage-like book is made-up of his original photographs together with found historical images and texts, both commissioned and found in history books and the Internet. It serves as an engaging and poetic introduction to Sameshima’s longstanding exploration of photography as myth – a skewed tour guide and time machine, taking the reader on a … Continue reading →

Empire, Gavin Hipkins

EMPIRE
Gavin Hipkins
Essay by Daniel Palmer,
“For Anton Lock, 1893-1971”

Publication launched on the occasion of Gavin Hipkins‘ exhibition Second Empire at Lopdell House Gallery, Titirangi (14th February-13th April 2008) during the completion of the McCahon residency at French Bay, Auckland (December 2007-February 2008)

“Gavin Hipkins’ Empire series employs the artist’s well-known technique of contrasting two photographically based images within the one photo-montage.

Wood engravings by renowned English illustrator Anton Lock are enlarged using a negative form and then juxtaposed with contemporary urban patches (embroidered tapestry decals intended for sewing onto clothing). This process … Continue reading →

The Sanctuary, Gavin Hipkins

THE SANCTUARY
Gavin Hipkins

The Sanctuary is a travelogue of sorts that reveals a range of very different sites. The sequence begins with three images taken in royal parks in London – the first a slow-incline exterior stone staircase and a row of trees running parallel out from the edge of the steps. This is an anchoring image, in a way a declaration of intent. The steps lead up to the (brightly re-gilded) memorial statue erected by Queen Victoria to her husband Prince Albert in Kensington Gardens. Hipkins has chosen to avoid the ‘money shot’ of the Victorian … Continue reading →

Public places, Ann Shelton


PUBLIC PLACES
Ann Shelton

RIM BOOKS
ISBN 0476001137 (pbk.)
2003
45p, 21cm
Shelton, Ann,1967-
Photography
Artistic.
Crime scenes–Pictorial works.
Includes bibliographical references

Out of Print
Further information info@rimbooks.com

Redeye, a diary.

REDEYE: A DIARY.

PHOTOGRAPHS SELECTED AND EDITED BY RON BROWNSON.
Ann Shelton

Shelton insists on a premise at the very heart of photography: people are good to look at… documentary photography should be reminded of the superficial thrill of the ‘now’… in Redeye the idea of the celebrity meets the idea of the nobody… rather than make you remember and feel concern Shelton makes you forget you cared in the first place.
Giovanni Intra – Pavement magazine

Redeye is a social diary in photographs, it depicts an urban community from an insider’s perspective. Photographed using a … Continue reading →

Fallen, John Pusateri

FALLEN
JOHN PUSATERI
John Early, Dan Blanchon & Mel Galbraith

The work, comprised of 12 photographic images and 4 graphite drawings, was shown at Seed Gallery, Auckland, November 2007.

‘Fallen’ by John Pusateri, is a documentation of a collaborative biodiversity and fine art project by the New Zealand-based artist and scientists. The project started with setting pitfall traps on 8 May 2007. Twice a month, for thirteen months, Pusateri gathered, separated, cleaned, labelled and preserved the trapped specimens. These specimens were photographed along with fragments of ceramic, glass, and other found items from the same area.

The specimen samples, as … Continue reading →