This publication showcases photographs made by Larence Shustak before he left USA in 1973 to establish the photography department at the School of Fine Arts in Christchurch, New Zealand.
Shustak was part of an early ferment on the East Coast of the emerging awareness of photography as an independent tool of art, self-expression and social engagement, existing outside of the mainstream picture magazines and commercial studios. American Landscape samples Shustak’s early experiments, commissions and personal projects that reflect an evolving sense of a time in transition, seen through the artist’s … Continue reading →
Mary Macpherson spent seven years traveling New Zealand to photograph change in New Zealand reflected in small towns, recording the old, the derelict, the ready-made symbol and moneyed development. Old New World is a quality hardback with a dust jacket and 62 images across 96 pages. It also features an interview between Mary and noted art writer/curator, Gregory O’Brien.
“I worked on the project for several years – making journeys around the country whenever I could – photographing, and then spending long periods thinking about what I was doing. The photographs feature … Continue reading →
“The Silent Generation is defined by people born between 1925 and 1945, who had come to maturity as I was growing up. Raised under the dictum of being seen but not heard, and affected by war and economic depression, they have been described as focused on financial security and more politically compliant than other generations. Putting aside the problematics of generational stereotyping, by the time I reached the age of 18 the silence was not so loud and multiple voices of diversity and dissent were becoming more audible. These photographs, … Continue reading →
Photographs, texture, historical documents and a fictional short story weave a book about a house, in the suburb of Wilton in Wellington, New Zealand.
“I moved in to this house amid stories about its commissioner, a trail-blazing woman and the one responsible for bringing the woodwind instrument, the recorder, to New Zealand. The narrative of her and her architect’s lives struck me as still critical and relevant today as we pull down the metaphorical garage door on refugee access to New Zealand and as we uncover and foreground the unnoticed roles … Continue reading →
Reflecting back on the last quarter century, so much has changed. Technologies emerged that fundamentally altered the way we do things, the methods by which we gather and disseminate information, how we communicate. Included is the notable technological restructuring of photography from the analogue film medium to the digital processes that now dominate the industry (Photoshop 1.0 was launched 19 February 1990). Less perceptible, but perhaps more important, are shifts in values attached to things and ideas, like art, education, institutions, their ideologies.
Te Atatu Me: photographs of an urban New Zealand village is a personal portrait of West Auckland’s Te Atatu Peninsula by John B. Turner, the noted New Zealand photographer, teacher and editor of PhotoForum.
Recorded over a seven year period from 2005 to 2011, Turner’s documentary photographs celebrate the character and pulse of … Continue reading →
PHOTOFORUM AT 40 Counterculture, Clusters, and Debate in New Zealand
Rim Books is pleased to announce the release of PhotoForum at 40: Counterculture, Clusters, and Debate in New Zealand by Nina Seja. In this richly illustrated publication, art historian Nina Seja gives an illuminating account of the communities, relationships, and events that have shaped PhotoForum’s first forty years, and charts the development of photographic art in New Zealand during this time.
PhotoForum Inc. is a not-for-profit Society dedicated to the promotion of photography as a means of communication and expression. Acting as an intellectual and … Continue reading →
Published on the occasion of the exhibition Holland Street, by Sarah Caylor and Ann Shelton Courtenay Place Park Light Boxes Wellington, New Zealand 15 August – 2 December 2013
Taking as its starting point two nineteenth-century events – London’s cholera outbreak of 1854 and Wellington’s typhoid epidemic of 1890-2 – Holland Street recalls a world where disease was thought to travel through miasma (noxious air) and bacteria were believed to be as real as “Hydras, and Gorgons, and Chimeras Dire”. Holland Street utilises differing visual approaches to map … Continue reading →
Pictures They Want to Make : Recent Auckland Photography Chris Corson-Scott Edward Hanfling
Pictures They Want to Make presents a selection of works by twelve contemporary photographic artists, and examines the various ways in which their images are created, and the motivations that drive them. Each of the artists has a connection to the Auckland region; some of the photographs capture aspects of that region’s culture and landscape, while others testify to the mobility and ambition of the artists—their familiarity with other places and people. Most of all, they are personal statements; they are … Continue reading →
THINKING IT THROUGH Tony Watkins Haruhiko Sameshima
Thinking it through was originally published in Home and Building from 1988 to 1996 when Kirsty Robertson, then editor for “Home and Building” invited Tony Watkins, who had for many years been a contributor to the magazine, to begin a new column called simply, “Thinking it through”. She also invited Haruhiko Sameshima to contribute a photograph for each column. Haru had never met Tony. For each issue Tony sent an article to Haru and Haru replied with a photograph. Tony in turn responded to each photograph with another … Continue reading →