CARBON EMPIRE
Allan McDonald

Winner New Zealand Photobook of the year award 2017.

Carbon Empire works in the space between art and documentary photography.

It combines a short series of staged photographs of a ‘man in the street’ made in 1997 with images of closed petrol stations photographed between 2003 and 2017.

Carbon Empire is a juxtaposition of these two series of photographs and a single image, made by chance in 2002.

The closed petrol stations reflect the effects of petroleum law changes across New Zealand. In 1988, the petroleum sector became deregulated, with the large international wholesalers able … Continue reading

DYNAMO HUM

By Denys Watkins
Foreword by Matt Blomeley
Essays by Anna Miles and Francis McWhannell
Conversation with Allan Smith and Denys Watkins

Published by Rim Books in association with Bath Street Arts Trust.

Design by Index – Jonty Valentine

DYNAMO HUM is an artist book by Denys Watkins, featuring his paintings from 2004 to 2016.

Denys is a highly respected New Zealand contemporary artist. A long serving teacher of thirty-one years at Elam School of Fine Arts that, in 2011, he left to pursue full-time studio art practice.

Here he turns his multifaceted interests to … Continue reading

BARRY BRICKELL READER: SELECTED ‘WRERTINGS’, MEDITATIONS, OUTBURSTS, DECREES AND DIVERSIONS

Edited by Gregory O’Brien
Photographs by Haruhiko Sameshima
Afterword by David Craig

Published by Steele Roberts Aotearoa in association with Rim Books.

Rim Books is absolutely ecstatic to be associated with publishing this book of ‘wrertings’ by the maverick New Zealand artist Barry Brickell.

Known for his decades of pottery making and mountain railway in Coromandel, he has dedicated his life to ceaseless art-making of all kinds. Less known but perhaps more revealing of his inner workings, are his passions for writing and reading, … Continue reading

STOMP
Jon Carapiet

STOMP explores themes of photographic portraiture and ‘the gaze’ in the context of destruction, questioning how we connect and identify with the other.

The images were made in Europe, India and Egypt since 2014 and began as a personal response to the destruction in Bamiyan and Timbuktu, Palmyra and Aleppo. Such recent manifestations of fascism have 20th Century antecedents in the Holocaust and Armenian genocide, but trace even further back in human consciousness. There is a long history of attempting to erase people from memory.

Stomp seeks to reach beyond a sense of despair and … Continue reading

BRAINWASH-INGTON DC: A 1982 PHOTOGRAPHIC ‘ON THE ROAD’
Stuart Page


It features photographs Page took on a 6 month journey around USA that he made soon after his graduation from Ilam School of Fine Arts, where Shustak taught. It was an ambitious undertaking, funded by the NZ government arts council, and a rare opportunity for him to take his learning from the school into practice on the streets of where the art came from. Page says, in his introduction to the original exhibition of the resulting photographs in 1984:

“The most exciting and relative communication seemed … Continue reading

AMERICAN LANDSCAPE: SHUSTAK USA 1960–1971

This publication showcases photographs made by Larence Shustak before he left USA in 1973 to establish the photography department at the School of Fine Arts in Christchurch, New Zealand.

Shustak was part of an early ferment on the East Coast of the emerging awareness of photography as an independent tool of art, self-expression and social engagement, existing outside of the mainstream picture magazines and commercial studios. American Landscape samples Shustak’s early experiments, commissions and personal projects that reflect an evolving sense of a time in transition, seen through the artist’s eyes. … Continue reading

BETWEEN THE SILENCE AND THE FLAME
Allan McDonald

“The Silent Generation is defined by people born between 1925 and 1945, who had come to maturity as I was growing up. Raised under the dictum of being seen but not heard, and affected by war and economic depression, they have been described as focused on financial security and more politically compliant than other generations. Putting aside the problematics of generational stereotyping, by the time I reached the age of 18 the silence was not so loud and multiple voices of diversity and dissent were becoming more audible. These … Continue reading

A SPOONFUL OF SUGAR
Ann Shelton

Photographs, texture, historical documents and a fictional short story weave a book about a house, in the suburb of Wilton in Wellington, New Zealand.

“I moved in to this house amid stories about its commissioner, a trail-blazing woman and the one responsible for bringing the woodwind instrument, the recorder, to New Zealand. The narrative of her and her architect’s lives struck me as still critical and relevant today as we pull down the metaphorical garage door on refugee access to New Zealand and as we uncover and foreground the unnoticed roles … Continue reading

 

SELECTIVE EXPOSURE
Limited edition exhibition catalogue

Reflecting back on the last quarter century, so much has changed. Technologies emerged that fundamentally altered the way we do things, the methods by which we gather and disseminate information, how we communicate. The  exhibition (and this catalogue) considers notable technological restructuring of photography from the analogue film medium to the digital processes, that now dominate the industry. (Photoshop 1.0 was launched on 19th February, 1990). Less perceptible, but perhaps more important are shifts in values attached to things and ideas, like art, education, institutions and their ideologies.

This catalogue samples images from … Continue reading

Te Atatu Me: photographs of an urban New Zealand village
John B. Turner. Historical essay by Grant Cole.

PhotoForum Inc, Auckland and Turner PhotoBooks, Auckland/Beijing, 2015.
Produced with the support of Creative New Zealand.

Available through Rim Books: info@rimbooks.com

Te Atatu Me: photographs of an urban New Zealand village is a personal portrait of West Auckland’s Te Atatu Peninsula by John B. Turner, the noted New Zealand photographer, teacher and editor of PhotoForum.

Recorded over a seven year period from 2005 to 2011, Turner’s documentary photographs celebrate the character and pulse of life in this unique … Continue reading