TOM HUTCHINS: SEEN IN CHINA 1956
Edited by John B. Turner. Chinese translation by Han Niu.
Published by Turner PhotoBooks, Auckland/Beijing in collaboration with PhotoForum Inc, Auckland, NZ, 2016 as Photoforum issue 86.
English and Chinese text
This bi-lingual book was produced to coincide with the debut exhibition of photographs made in China 60 years ago by the pioneering New Zealand photojournalist and photographic educator, Tom Hutchins (1921-2007), presented at the 2016 Pingyao International Photography Festival.
‘On the platform there are many people waiting to cross the other way, waiting for the train back to Hong Kong. . … Continue reading
OLD NEW WORLD
Mary Macpherson spent seven years traveling New Zealand to photograph change in New Zealand reflected in small towns, recording the old, the derelict, the ready-made symbol and moneyed development. Old New World is a quality hardback with a dust jacket and 62 images across 96 pages. It also features an interview between Mary and noted art writer/curator, Gregory O’Brien.
“I worked on the project for several years – making journeys around the country whenever I could – photographing, and then spending long periods thinking about what I was doing. The photographs feature … Continue reading
Te Atatu Me: photographs of an urban New Zealand village
John B. Turner. Historical essay by Grant Cole.
PhotoForum Inc, Auckland and Turner PhotoBooks, Auckland/Beijing, 2015.
Produced with the support of Creative New Zealand.
Now available through Rim Books: email@example.com
Te Atatu Me: photographs of an urban New Zealand village is a personal portrait of West Auckland’s Te Atatu Peninsula by John B. Turner, the noted New Zealand photographer, teacher and editor of PhotoForum.
Recorded over a seven year period from 2005 to 2011, Turner’s documentary photographs celebrate the character and pulse of … Continue reading
Pictures They Want to Make presents a selection of works by twelve contemporary photographic artists, and examines the various ways in which their images are created, and the motivations that drive them. Each of the artists has a connection to the Auckland region; some of the photographs capture aspects of that region’s culture and landscape, while others testify to the mobility and ambition of the artists—their familiarity with other places and people. Most of all, they are personal statements; they are … Continue reading
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